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The spectacular fire sequences, which must have been hellish to film, are powerfully enveloping on screen, thanks especially to the eerie effect of the title.
May 20, 2003
Entertainment Weekly
Backdraft has some of the raw filmmaking excitement that has been missing from Howard's recent work.
Visually speaking, the film does pretty well with fire-as-spectacle, less well with everything else (Howard tends to trot out fuzzy-toned Spielbergian backlighting on any pretext).