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You might be laughing at the movie by the time you reach its go-for-broke final shot, but the look on Lively's face is enough to fulfill the idea that loving someone is not the same as needing someone.
Marc Forster's superficially trippy Thailand-set movie never plays like something that had to be made about the human condition. Think instead a short faux-experimental film unnecessarily stretched to the yawning point.
While this has interesting moments, Foster seems unable to follow the story into as deep or dark a place as it should go and the ambiguity in the storytelling is unwarranted and frustrating to witness.