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The story follow a mother and her son. The mother will become a renowned artist and healer, and the son will grow into his own as a peculiar falconer who bears the marks of a double absence. In the present, a young journalist will bring about an encounter between the two that puts the very meaning of life and art into question, so that we may contemplate the possibility of living life to its fullest, despite the uncertainties littering our paths.
Connelly, with her signature brand of serene toughness, does tragedy very well, but she doesn't really have a character to play here; just an endless series of tight close-ups and troubled expressions.
An atmospheric but vague movie that functions like a therapy session, counseling acceptance and forgiveness via a storyline that seems pinched and forced in relation to the wide open spaces of the images.