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Always Woodstock

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When Neurotic, struggling songwriter, Catherine Brown';s life in New York City falls apart, she is forced to confront her past when she spends the summer at her childhood home in Woodstock, New York, learning that becoming successful means becoming your true self first.
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The Dissolve
The film uses its setting as lazy shorthand: for the nostalgia of lost childhood, the virtues of independence, and the spiritual purity of acoustic rock.
November 17, 2014
Los Angeles Times
Unfortunately, Merson clutters her sometimes soulful, sensitive story with too many formulaic contrivances to impede Catherine's personal and professional progress.
November 13, 2014
The Film Stage
Catherine's journey towards acknowledging she's no better than any of the people she silently screams at in frustrated rage becomes a pit of quicksand.
February 26, 2016
Epoch Times
Jason Ritter's the best thing about the film, genuinely funny as a vapid but well-meaning fool-actor. His hysterically crying, post-sex monologues are hilarious.
June 13, 2016
Paste Magazine
Just like its lead character, the film can't decide what it wants to be when it grows up.
November 21, 2014
Common Sense Media
Listless romcom has flat characters, drinking.
November 24, 2014
Slant Magazine
The filmmakers play Catherine's disgustingly narcissistic sense of entitlement as endemic to the supposedly girl-next-door charms befitting the film's thoroughly normative gender politics.
November 09, 2014
Tribune News Service
Katey Sagal as a reclusive folk-rock star and the still magical setting aren't enough to recommend this thinner-than-thin musical romance.
November 11, 2014
Variety
Even by its genre's comfort-food standards, this movie feels blandly circumscribed, almost child-proofed, as if any sharper reality or wit might be harmful to the intended audience.
November 16, 2014
New York Times
This is a movie that runs on magical thinking.
November 13, 2014
New York Observer
Another week, another benign rock and roll romance.
November 12, 2014