Cosmos 2015 Watch Full Movie in HD

Sabine Azéma

20 September 1949, Paris, France

Jean-François Balmer

18 April 1946, Valangin, Switzerland

16 April 1989, Faro, Portugal

14 September 1979, Lisbon, Portugal

António Simão

Andrzej Zulawski

22 November 1940, Lwów, Lwowskie, Poland [now Lviv, Ukraine]

Andrzej Zulawski

22 November 1940, Lwów, Lwowskie, Poland [now Lviv, Ukraine]

Witold Gombrowicz

4 August 1904, Maloszyce, Poland, Russian Empire [now Maloszyce, Swietokrzyskie, Poland]

Guardian

Cultists can claim it as proof Żuławski was doing his own thing until the end, but the film didn't need releasing so much as sectioning for public safety.

August 18, 2016

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Time Out

At times astonishingly beautiful. The closing credits sequence alone is lovelier than some entire movies.

August 15, 2016

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Cinexcepción

A movie that, like the book, ends but doesn't quite concludes. Some ambiguity and the possibility of giving different ends to reality and to fiction are imposed. And the bewilderment, of course. [Full review in Spanish]

November 16, 2016

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AV Club

From the hold-music smooth-jazz score to the overtly theatrical performances, everything about Cosmos is designed to confound.

June 16, 2016

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Radio Times

[An] intellectually playful and slyly subversive treatise on communication, freedom, identity and chaos that pays homage to a range of literary and cinematic influences, including Wojciech Has, Jacques Rivette and Luis Buñuel.

August 21, 2016

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SciFiNow

It's tricky not to be ensnared by the beguiling yet intriguing nature of it all.

August 25, 2016

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Empire Magazine

Parodying the whodunit and the country house farce, this gleefully deranged romp is undeniably a head-scratcher. But it's also bold, witty and rewarding.

August 18, 2016

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New York Post

It's a surreal piece of mischief, equal parts breezy fun and maddening confusion.

June 16, 2016

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Boston Globe

Nonstop, epistemological slapstick.

August 18, 2016

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RogerEbert.com

Confined to a few locations and shaking with ecstasy, possibility and the torment of being alive, "Cosmos" is like absinthe distilled secretly in a prison cell.

June 17, 2016

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New York Times

It is possible to appreciate Mr. Zulawski's perverse ingenuity, and to miss his eye and voice, without quite succumbing to the strenuous charms and overcooked provocations of "Cosmos."

June 16, 2016

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