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[I]ts daffy, otherworldly story, rehearsing but not rehashing Stillman's frankly reactionary instincts, resounds less for its charming gaggle of collegiate women than for its dramatization of self-deception and the despair of depression.
There's a self-consciousness to "Damsels" that takes away much of the fun.
April 26, 2012
Las Vegas CityLife
Why he would once again focus his imagination on another ensemble of shallow, self-absorbed characters that are all directed to speak like they were born in the same upper-class Connecticut suburb indicates a one-track mind, at the least.
Although the themes of clueless rich kids acting boorishly are very much the same as in Stillman's biggest hits, 'Metropolitan' and 'Barcelona,' the light and breezy "Damsels" more than stands on its own as an Austen-tatious delight.