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Devils Due

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After a mysterious, lost night, the couple finds themselves dealing with an earlier-than-planned pregnancy. While recording everything for posterity, the husband begins to notice odd behavior in his wife that they initially write off to nerves, but, as the months pass, it becomes evident that the dark changes to her body and mind have a much more sinister origin.
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ScreenCrush
Devil's Due is the latest entry in the found footage horror genre, and while it does have its fair amount of creative visual effects, the thrills are hardly thrilling in this paint by numbers occult chiller.
March 16, 2017
TheWrap
The feature-length debut of two thirds of the directorial troupe Radio Silence scrambles to find any excuse to cut to a new angle or shoot traditional coverage while debasing a potentially compelling story with every found-footage cliché in the book.
January 17, 2014
Daily Dead
Devil's Due, the latest from the filmmaking team known as Radio Silence, is a perfectly serviceable horror movie with some rather neat mythology that unfortunately gets lost in the trappings of its own storytelling format.
January 08, 2016
Independent Online (South Africa)
For the most part, Devil's Due unfolds more like a scripted reality series than a horrifying tale.
March 28, 2016
Quad City Times (Davenport, IA)
'Devil's Due' is pretty much a found-footage version of the classic 1968 Roman Polanski movie 'Rosemary's Baby.'
February 21, 2014
Boston Globe
At least there's a credible premise in "Devil's Due," an otherwise feeble exercise in the found-footage form.
January 19, 2014
Chicago Reader
The movie's found-footage conceit never creates a proper atmosphere, something essential to any horror film but particularly one involving the occult.
January 23, 2014
Newsday
A disjointed and unconvincing movie that is also embarrassingly derivative of "Paranormal Activity."
January 19, 2014
New York Times
Dredging up horror movie favorites like random nosebleeds, a traumatized priest and a mama-to-be with a yen for raw meat, Matt Bettinelli-Olpin and Tyler Gillett direct with competence but a dispiriting lack of originality.
January 19, 2014