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Stenberg's relaxed charisma carries what is a rather preposterous premise... Aside from its leading lady, what "Everything, Everything" has going for it is its light, fantastical aesthetic and unexpected sense of buoyancy.
What starts out as a reasonably fresh take on stories about debilitating illnesses and unrequited young love winds up as a heavy-handed melodrama that lacks the courage to follow through on its convictions.
Engrossing and not too sugar-sweet, Meghie's movie is slightly paranoid, surprisingly fantastical and superb at translating the overwhelming stupor of first love with big, bold shots and a banging soundtrack.