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While trying to spice up their marriage in their remote lake house, Jessie must fight to survive when her husband dies unexpectedly, leaving her handcuffed to their bed frame.
This is what makes adaptation so compelling, when you see artists solve creative problems to translate formats. You still get the joy of seeing scenes you pictured, but new stuff as they turn internal prose into on screen action.
Ultimately, Gerald's Game is an unassuming, overachieving little thriller that is blessed by two performers capable of handling the lion's share of the dramatic challenges it presents.
In bursts, between the memories and the ghostly Who's Afraid of Stephen King? playlets, Flanagan shows that he probably could have made a leaner, meaner, more suspenseful film.
As the renewed wave of interest in Stephen King continues to crash on our cinematic shores, we can only hope that future adapters and adaptions will be so well matched.
When the movie arrives at a phenomenal, breakneck climax, and then keeps going with a totally implausible twist, it's adhering to the unwritten rule: No matter who's driving, everyone must bow to the King.