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Keeping Up with the Joneses

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  •  Trailer
The Gaffneys' lives are interrupted by the arrival of new neighbors, whose stunning looks are matched only by the worldly sophistication of their lives. The Gaffneys soon become embroiled in an international espionage plot when they discover that the Joneses, their overly accomplished new neighbors, are in fact government agents.
105 min
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Film Inquiry
Without a fresh approach, the film settles for product placement and the pedestrian, perhaps under the delusion that pedestrian is an equivalent for tried and true. It isn't.
December 05, 2016
Time Out
Structured with the kind of obviousness that makes you outwit the screenwriter and then hate movies in general, Greg Mottola's painfully generic suburban spy comedy wastes everybody's time, onscreen and off.
October 22, 2016
Seven Days
Instantly forgettable.
January 01, 2017
Globe and Mail
This story of the spies next door is wooden and slow-paced with enough intrigue to lull a toddler to sleep.
October 21, 2016
The Sunday Age
Despite being directed by Gregg Mottola (Superbad, Paul), the comic scenes play out with often banal interplay that barely has a whiff of improvised mayhem, while the action sequences are essentially generic.
December 09, 2016
En Filme
The only redeemable thing about this film, is the performance of its cast. However, the material simply isn't worthy of their efforts. [Full review in Spanish]
November 29, 2016
It's the "see what sticks" type of mainstream movie-making, predicated upon little more than throwing obvious elements together.
December 03, 2016
TIME Magazine
As long as there's suburbia, there will always be movies about near-middle-aged couples reckoning with their dull lives.
October 21, 2016
Times (UK)
Even by mainstream studio comedy standards, Keeping Up with the Joneses is poor. It plays like it was conceived in a Hollywood pitch meeting and has zero connection to human reality.
October 21, 2016
Keeping Up With the Joneses is as blandly generic as its title, a comedy that telegraphs every beat with a one-sentence description of the premise and continues the cinematic squandering of Zach Galifianakis since The Hangover.
October 21, 2016