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Really this is more a barrel of fish than of monkeys - mostly a jaded movie-industry satire (in a cameo, Carrie Fisher plays herself), but also, being Cronenberg, a horror film, full of ghost stories and little monsters.
We watch to see the worst in Maps, it's revealed, and absolutely nothing about it is surprising. (Even the ghosts are predictable.) Also, unforgivable in the inside-Hollywood canon, Wagner can't craft dialogue or be funny to save his life.