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The film tells the story of Amedeo Modigliani's bitter rivalry with Pablo Picasso while Pablo Picasso has already established himself in the art world, and his tragic romance with Jeanne Hebuterne.
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Slant Magazine
It ain't pretty but you have a choisa: See Modigliani or rent Derek Jarman's Caravaggio instead.
June 28, 2005
Boston Phoenix
Just another artistic sacrifice to life's ironies, cruelties, and bad filmmakers.
October 29, 2005
New York Times
The best and maybe the only use to be made of the catastrophic screen biography Modigliani is to serve as a textbook outline of how not to film the life of a legendary artist.
June 30, 2005
TV Guide
The real-life Modigliani did indeed live a short, tragic life, but this factually inaccurate, plodding film makes it feel twice as long.
July 01, 2005
New Times
No one expected a documentary, but serious art-history students may feel let down.
July 07, 2005
Modigliani's problems lie in its contentment with superficial clichés
May 11, 2005
Los Angeles Daily News
Director Mick Davis shows little if any imagination in presenting the troubled genius or the remarkable Montparnasse art scene of the World War I era, and that's the real bummer.
May 13, 2005
New York Daily News
It's hard to take this oddball movie seriously, right down to the undisguised streetwise-American accent of Andy Garcia as the Italian Jew Amedeo Modigliani.
July 01, 2005
Time Out
Instead of trying to provide insight into this genius's debilitating madness, Davis prefers to wallow in incoherent and clichéd misery, punctuated by poetically oblique imagery.
August 16, 2007
Newark Star-Ledger
Modigliani is slow, shamefully cliched and disjointed as a cubist portrait.
July 01, 2005
New York Post
Thanks to writer-director Mick Davis, the film, like its subject, dies young.
July 01, 2005