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Parker's life is taking a very circuitous route to debt-ville after the recent loss of his child. He then reluctantly returns to work as a private investigator. Embarking on an unusual assignment to observe a woman from an abandoned apartment, Parker witnesses bizarre happenings surrounding her...
Sims-Dennett's slippery take on manipulation and madness ushers in a welcome return for the messy obfuscation and creepy indeterminacy formerly found in the neurotic cinema of the late '60s and early '70s.
The cool, languid pacing of the film is only occasionally disrupted by flashes of phantasmagoria, showing further confidence with restraint in a story that could have gone down the path of oversized jump scares and filtered flash cuts.