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Trapped in their New York brownstone's panic room newly divorced Meg Altman and her young daughter Sarah play a deadly game of cat-and-mouse with three intruders when they break in, searching for a missing fortune.
Foster nails the role, giving a tight, focused performance illuminated by shards of feeling.
March 31, 2002
Valuing logic over brutality, David Fincher's claustrophobic ride also touted the real-world practicality of keeping quiet over the cinematic kicks of a loud thriller. It's like "Wait Until Dark" with helplessness that's emotional, not just physical.
... one of the most ingenious and entertaining thrillers I've seen in quite a long time.
April 01, 2002
A thinking-man's women-in-jeopardy picture, Panic Room does about as much as humanly possible with its deliberately restricted one-setting premise.
March 27, 2009
Fincher mounts some clever, tense sequences in which the trio devises increasingly threatening strategies to force Meg and Sarah out of the panic room, only to be matched with improvised ingenuity from behind the vault door.
July 20, 2002
There's just no denying Fincher's gifts. Give the guy a camera or two or three, millions upon millions of dollars and state-of-the-art technologies, and there's no stopping him.