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It's the story that sparked a lot of controversy when it comes to a man named Reid, a man who is trying to go on a business trip, but instead of a bag full of clothes to take, Reed had a toothbrush and several killers that looked more terrifying. Everything is fine for this guy where everything is carefully planned. Reid tries to end all these obsessions and malicious motives in order to continue to be a good husband and father. Things may change completely when Reed recognizes Jackie, a seductive invitation girl who reaches his room and changes everything in his life.
Pesce deploys a potent arsenal of stylistic tools - urban landscape miniatures, plushly disquieting Lynchian interiors, flashbacks, creature effects, and florid gore - to tell the story of Reed.
Darkly funny, but still unapologetically grim, this plays very much like a modern version of Takashi Miike's iconic 1999 film Audition, only with a lot less of a brutal finale.
The dream-team pairing of Abbott and Wasikowska, two of the most interesting, subtle and risk-loving performers of their generation, is a huge compensation.
Piercing is an unsuccessful provocation, and I didn't get anything out of it beyond a few wispy ideas about how we may never really understand what we want from each other.