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An argument can certainly be made for sex in movies that try to approach seriously the problems of the young; and this one, which begins so frankly with maternity, seems to have become quite nervous about things physical right after the credits came on.
Not even Carol White as Joy, glowing with vitality and beautifully modulating the heroine's different moods, can make of Poor Cow more than a superficial, slightly patronising incursion into the nether realms of social realism.
Despite its scruffy scene and downhill theme, Poor Cow is not really another of England's angry proletarian tragedies. The film tells its story with humanity that is never sentimental and humor that never jokes.