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Seraphim Falls isn't completely without interest, particularly for those of us who still like Westerns and bemoan their demise almost as much as we bemoan the demise of the movie musical.
Finally recalls a less convincing version of those of Anthony Mann which managed realism and the mythic without a false note.
August 24, 2007
Financial Times
As the story self-destructs, we are left with the majestic scenery, photographed by John Toll, and the pleasure of two good actors from one side of the Atlantic stretching themselves to seem convincing on the other.
The overweight middle section is repetitive, contrived and, well, boring. But at least the views are spectacular and Brosnan, especially, is likeably quirky.
The technical revels are arresting, but Seraphim Falls is slow of motive and thin of plot -- a western that dies with its boots on.
February 07, 2007
Ebert & Roeper
Though the chase threatens to go on too long, the suspense remains high because we don't know which man is the real villain, or if there's a villain at all.