Spiral (Uzumaki) 2000 Watch Full Movie in HD

Eriko Hatsune

24 March 1982, Tokyo, Japan

Fhi Fan

Hinako Saeki

16 February 1977, Nara, Japan

Eun-Kyung Shin

15 February 1973, Seoul, South Korea

Keiko Takahashi

22 January 1955, Shibecha-cho, Kawakami-gun, Hokkaido Prefecture, Japan

Ren Ôsugi

27 September 1951, Tokushima, Japan

Denden

23 January 1950, Fukuoka, Japan

Masami Horiuchi

22 March 1950, Tokyo, Japan

Tarô Suwa

9 August 1954, Tokyo, Japan

Toru Tezuka

1962

Sadao Abe

23 April 1970, Chiba, Japan

Asumi Miwa

12 March 1982, Kanagawa Prefecture, Japan

23 September 1974, Tokyo, Japan

Akira Matsuda

Hassei Takano

9 January 1978, Chiba, Japan

Higuchinsky

27 February 1969, Ukraine

Kengo Kaji

Junji Ito

31 July 1963, Gifu, Japan

ReelTalk Movie Reviews

Special effects can be tastefully managed even on a shoestring budget, but here they are merely ludicrous.

November 03, 2002

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Chicago Reader

Adapted from a horror comic by Junji Ito, this debut feature from Japanese music-video director Higuchinsky begins eerily but doesn't take long to descend into silliness.

April 18, 2007

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Combustible Celluloid

A brilliant horror film with an original idea and style to spare.

June 03, 2006

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New York Post

At some point, all this visual trickery stops being clever and devolves into flashy, vaguely silly overkill.

May 01, 2002

Film Threat

Mostly the film creates an infectious feeling of apprehension that slowly crawls up your spine.

January 15, 2004

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Rue Morgue Magazine

'Uzumaki is a masterfully rendered living portrait of warped, apocalyptic art...'

May 01, 2004

eye WEEKLY

Eerie and slimy enough to give Tim Burton nightmares, Uzumaki is a superb piece of fantasy cinema.

August 26, 2002

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Nitrate Online

Succumb to its creepy charms, and you'll never see inner-ear anatomy diagrams, umbrellas, or escargot in quite the same way. You might even hand over laundry chores to someone else.

September 09, 2002

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Hollywood Reporter

Ultimately the, yes, snail-like pacing and lack of thematic resonance make the film more silly than scary, like some sort of Martha Stewart decorating program run amok.

May 15, 2002

Variety

Pic duly places less emphasis on narrative than on the sort of surreal set pieces that might have worked better in the graphic-novel form.

February 11, 2010

Chicago Tribune

Gussied up with so many distracting special effects and visual party tricks that it's not clear whether we're supposed to shriek or laugh.

October 03, 2002

Seattle Times

Required viewing for horror fans, Japanese-cult-cinema fans, and anyone who digs settling in for an unsettling David Lynch evening.

July 12, 2002

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