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Travis Shaw is a ladies' man who thinks a serious relationship would cramp his easygoing lifestyle. He could not believe that one day he falls in love on his first meeting with Gabby Holland, who moves in next door and has a long-term boyfriend already.
The Choice feels like Mad Libs with some of Sparks' laziest clichés - a romantic rowboat, a colorful small-town carnival, a jealous upper-class boyfriend - and the result is a predictable, recycled mess.
We the people deserve every nutty coincidence, beautiful disaster, luxurious grief montage, and supernatural final-act reveal. Garbage-entertainment is still entertainment. Why, then, does The Choice almost entirely opt out of its own game?