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The Hollars

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An unsuccessful illustrator named John returns to his tiny Middle American hometown when his mother falls ill, only to immediately get swept up in the problems of his dysfunctional family, high school rival, and an over-eager ex-girlfriend as he faces impending fatherhood with his girlfriend in New York.
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A film that possesses a certain personality, given that it give its characters a force above the archetype they represent, but in the long run, it's not enough. [Full review in Spanish]
March 06, 2017
Philadelphia Inquirer
Opening with a promising first act comprising well-observed, edgy humor, the film ends with an overdose of treacle so syrupy, so pungent, it will unsettle the strongest tummy.
September 08, 2016
Capital Times (Madison, WI)
Maybe there's a longer, more graceful earlier version out there. Maybe there's an earlier version of the screenplay that emphasizes authenticity over punchlines. But what's on screen feels like an overly cautious, watered-down final draft.
October 05, 2016
Seven Days
The Hollars does achieve occasional poignant moments, most of them due to Martindale's warm presence and the goodwill she inspires. But the other actors have little to work with.
January 01, 2017
Chicago Sun-Times
"The Hollars" is an uneven, ineffective and self-conscious dysfunctional family comedy/drama with a Sundance-y vibe, and scene after scene in which the greatly talented and usually quite likable cast members keep stepping in big piles of wrong choices.
September 01, 2016
Seattle Times
Krasinski, who also directed the film, may have spread himself too thin; there's a desperation about the closing scenes, cluttered as they are with bouncy pop songs on the soundtrack.
September 15, 2016
Minneapolis Star Tribune
It is a perfect storm of boredom.
September 08, 2016