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The Numbers Station

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The Number Station is an action film about a CIA operative, Emerson Kent. When the moral values of a longtime wetwork black ops agent is tested during his last operation, he receives an unfavorable psych evaluation. Now he is given a break and a seemingly uncomplicated assignment of simply protecting the security of a young female code announcer, code resources and remote station they are assigned to. After an ambush and one phone call later, it becomes a complicated fight for their survival.
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Contactmusic.com
There's an interesting, timely idea in this espionage thriller, as well as adept leading actors who are able to make the most of the script's dry wit.
June 07, 2013
Los Angeles Times
A predictable hodgepodge of uninteresting psychological cat-and-mouse, dimly lighted action filmed by director Kasper Barfoed in standard-operating shaky-cam ...
April 26, 2013
AV Club
Cusack and Akerman scramble down a series of dimly lit, identical-looking passageways. The setting is as ill-defined as the characters.
April 25, 2013
Cinemalogue.com
A potentially intriguing idea is thrown out the window in this predictable low-budget thriller.
June 12, 2013
Movie Metropolis
'The Numbers Station' is a competent film and it does manage to create some tension. But you're conscious of the fact that it all feels familiar and wondering why there isn't a little more to it.
May 24, 2013
We Got This Covered
The Numbers Station is a cheap and predictable thriller that works only because of its two leading cast members: John Cusack and Malin Akerman.
June 02, 2013
New York Daily News
Akerman does work hard to keep up the energy level. Cusack, though, seems bored by the superficial proceedings, which don't even offer the distraction of a real romantic connection or a suspenseful confrontation.
April 25, 2013
Chicago Sun-Times
John Cusack replays his role as a lethal operative with occupational angst for a routine thriller with a female cryptographer at secret CIA site. Dire workplace issues ensue.
May 11, 2013
New York Times
This dreary spy drama is as flat and airless as the concrete bunker in which it unfolds.
April 25, 2013