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The Phantom of the Opera (2004)

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A young soprano becomes the obsession of a disfigured musical genius who lives beneath the Paris Opéra House.
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Fans of musical theater will work themselves into a lather over Joel Schumacher's by-the-book film version of Andrew Lloyd Webber's monotonous play, but most audiences will either fall asleep or hit the cinema doors running.
April 18, 2009
Takes everything that's wrong with Broadway and puts it on the big screen in a gaudy splat.
December 27, 2004
Antagony & Ecstasy
Commit one unforced error after another on its way to becoming one of the sloppiest major musicals of contemporary times.
April 27, 2015
Fat Guys at the Movies
Too much of that film clung to the theatre experience, which ultimately appears wildly ingenuine on the silver screen.
January 17, 2016
Cinema Crazed
The whole production feels cut and pasted, and it doesn't translate well to the big screen...
April 29, 2009
Old School Reviews
cinematically translated Webber's musical adaptation as well as humanly possible,
February 04, 2013
Entertainment Weekly
The movie version of Lloyd Webber's swooning 1986 horror operetta has been directed, by Joel Schumacher, as if Schumacher were the world's hardest-working upholstery salesman.
December 23, 2004
New Yorker
The plot is impressively free of anything that does not smell of unpasteurized melodrama.
January 15, 2005
Ebert & Roeper
This guy's not the Phantom of the Opera, he's the Fashionably Scarred Stud of the Opera and that just doesn't work.
December 27, 2004
Philadelphia Inquirer
Joel Schumacher's film adaptation of Lloyd Webber's The Phantom of the Opera combines fingernails-on- blackboard audio agony with bamboo- under- fingernails physical torture.
December 23, 2004
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