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If the 20-odd seconds of blank screen squatting pointlessly amid the opening credits aren't enough warning that you're in for some seriously sluggish storytelling, then the adoption of a snail as one of the central motifs should drive the point home.
March 30, 2012
Péter Szatmári's atmospheric photography of brooding, steely blue skies, bleak deserted beaches and soggy autumn woods is one of the chief virtues in this misbegotten enterprise.
The eeriness is underscored by the subtly intricate sound design, and by Green's subtle performance. She deftly balances her desire for the lost Tommy with the maternal responsibility to shield her son.