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The second season follows a new drama after two years of tragic events on the beach, which Alyssa rushed to face. Alyssa now claims she's okay after everything that happened. Things turn into another turning point in Alisa's life as the events of her past are about to approach and confront her.
CRITICS OF "The End of the F***ing World - Season 2"
ArtsATL
These kids win my heart and make me guffaw. Please, BBC/Netflix, don't make a third season. I want to walk away and always remember Alyssa and James in their awful, tentative, f***ed-up glory.
[Jessica] Barden and [Alex] Lawther excel; their characters perfectly toeing the line between being haunted by their pasts - both are subsequently more awkward and angry around one another - and confused teenage chemistry.
While the second season doesn't exactly feel necessary, it's still fun to take another aimless ride with the show's resident weirdos and see where we end up.
The End of the F***ing World costumes help enhance the unease between James and Alyssa, a visual metaphor for how close they could be, and yet how different their respective outlooks are two years on.
How do you describe a television show that's unlike any other? To oversimplify it, "The End of the F***ing World," is a pitch-black comedy about a pair of troubled 17-year-olds who meet and fall in love in a very unconventional way.
The result was bleak but dry, wry and hopelessly romantic, like Badlands relocated to Seventies suburbia. The series is stripped across the schedules for four nights, promising to surprise and beguile as much as the first.
Forcing more drama onto them after they've left only feels forced. It's a lose-lose scenario, and while I'll always contend there's a good way to keep telling many stories, this isn't it.