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It is a drama series that embodies the life of a former high-ranking New York police officer and a successful woman who is changing things. In a short period, this woman becomes the first female police chief in Los Angeles, which could turn things upside down. Now, this woman must face a major challenge in her life.
"Tommy" is an old sheep in new sheep's clothing, the latest twist on the cop show with a higher-ranking officer and a glass ceiling buster to separate it from other LA police dramas.
It's no surprise that Falco presides over all of this with aplomb. She's instantly believable, instantly real. You'll root for her take-no-prisoners Tommy, be frustrated for her, question her decisions, and admire her decisiveness.
When you replace the straight, cis, white guy in any narrative, you completely change the narrative. There are plenty of reasons to feel excited about Tommy.
January 31, 2020
Reason Online
The straw stirring this flavorful drink is Falco, whose magnetism demands unflinching attention.
[The] top cop is so empathetic to, at times, defy belief, both in her work and in her personal life... But Falco's stern but hardly humorless performance provides reason to hope that this credibility gap gets bridged.
After the pilot, I was prepared to be enthusiastic about CBS having landed an above-average version of a very CBS-y show... And after three? It's just another mediocre broadcast show that probably could have been a lot better.